News about ukuleles and ukulele music.
It's PURPLE!We may have contributed a few song suggestions ourself
Detroit-area luthier Gary Zimnicki is well known for his guitars, but he builds sweet 'ukuleles, too.
(I'm the proud steward of a Zimnicki Reclaimed Wood soprano!)
Gary recently wrote to say that he's started a project of posting build videos on YouTube. This is the first in the series. We'll update you with new ones as they're posted. Or you can just follow his YouTube channel.
Here's Gary's website: Link
To celebrate, our good friend and mentor, James Hill, has several exciting things planned. Surf on over to Uketropolis for complete details, but here are some highlights:
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Horace Weston was considered to be the finest banjo player the world had ever seen. Weston performed extensively throughout North America and Europe from the 1860s until his death in 1890. He was one of a few African Americans in the 19th century who performed in minstrel shows, largely to White audiences.Horace Weston was also the first African American to get credited for his banjo compositions. In the 1880s, S.S. Stewart published a couple dozen of Weston's banjo tunes. All 24 of his banjo solos and duets are presented here in crystal clear tablature for re-entrant ukulele. These are very challenging and not suitable for beginners. You will most likely need a tenor ukulele for some of the arrangements that use the higher frets. Certain tunes like Home Sweet Home are almost unplayable, but that's pretty much how the banjo version is too. There are many reasons why Horace Weston was The Champion Banjoist of the Entire World.
Friend o' the Blog Rachel Manke recently scored a sweet, nearly mint condition Smeck Harmony uke. But the most remarkable part of her find was this printed paper back that uke originally came in.
In my quarter-century of sleuthing out arcane ukulele artifacts, I've never seen one of these until today. I've found one other one, but Rachel's seems to be in much better condition.
Have you? If so, drop us a note in the comments!
I always wondered why old Will had it in for our favorite instrument (even though it's been the butt of jokes almost since it hit American shores...)
Curiosity got the better of me the other day and so I did some searching to see if I could find the original quote.
Turns out it's from a Chicago Examiner newspaper article, ca. March 3, 1918.
What's even more interesting is the context in which the quote is found, particularly in light of the current war between Ukraine and Russia.
The article begins,
"Now they've asked me to write about Russia.
"That's fine! There's some sense to that. I can write about Russia for I know that my readers don't know any more about Russia than I do..."
"There is always this to look forward to with Russia. Pick up the morning paper and look for Russian news and have a fear of reading the worst; you won't be disappointed."
Rogers is writing about the Treaty of Brest-Litovsk, which would have been in the news. The treaty gave independence to Ukraine. Rogers continues,
"You see, Germany was willing to treat for peace as long as Russia did all the treating.
"Now they have given German freedom to some province called Ukrainia (sic); sounds like ukulele, and I doubt it it will flourish even as long as that short-lived instrument."
(Ukulele – Ukraine...it's word-play! And note that Rogers seemed to have considered the ukulele passé by 1918!)
"The ukulele had this advantage: Not even a trained musician could tell if you were playing on it or just monkeying with it, but the Ukrainian liberty can't fool anybody; those poor independents have "Made in Germany" stamped all over it."
(Emphasis mine)
The rest of the article is primarily about Russia being taken for fools by Germany. Perhaps a reader/historian more conversant with the treaty and the geopolitics of the time can chime in in the comments. I'll leave it there.
You'll find Rogers' full article in The Papers of Will Rogers: From the Broadway stage to the national stage, September 1915-July 1928, University of Oklahoma Press, 2005, p 121- 122.
